Chants/Poems

1. Robyn Groth

Table Manners By Gelett Burgess

Topic: food/manners
Age: Young children—elementary school age
Proficiency level: beginning and up


2. Steve Schubert

Save big money at Menard’s!
Don’t wait long, the sale is on.
Wood, hammers, carpet, and nails,
Fans, grills, paint, and rails
All half off until Memorial Day.
No payments made until Labor Day.
No money down. So, what do you say?
Save big money at Menard’s!
But wait shoppers…(Instructor only)
Ceiling fans, door knobs, and rubber gloves,
garden hose, nail guns and wood stoves,
All half off until Thanksgiving Day
No money down. So, what do you say?
Save big money at Menard’s!

This chant incorporates some authentic material taken from television and teaches students about how sales work in the United States, which may or may not be similar to how sales work their own countries. There is a specific jargon associated with sales and students can use this information in the daily lives. The chorus should be familiar to everyone in the area. I also want students to learn how to pronounce plural forms, know what items are mass nouns, and how to form compound words in the plural. This exercise can also be used to build vocabulary in what could be “home improvement” theme in an ESL lesson. Hopefully, this lesson could help bridge the gap between language learning and culture learning.



3. Anonymous

Purpose: To create poem introducing/reinforcing the pronunciation of a difficult combination of letters (o-u-g-h) in English.

O-U-G-H, four little letters;
Problems appear when you put them together.
Do you say “oh” or “ooo” or “up” or “ow”?
Read this! It’ll tell you how!
There are words like thought and bought,
Which sound like cot and pot.
But be careful, and watch out!
You want to think “ow” when you want to say drought.
If you get sick, you may cough—
Don’t forget to wash your hands off!
Drinking to fast will make you hiccough,
Which is not like hic-on but more like hic-up.
There’s not a lot left, you’re almost through;
(Which, by the way, sounds like shoe.)
Finally, you know there’s though and dough,
Learn those and you won’t be told no.
That’s likely enough and it wasn’t so tough—
Remember these words, and you’ll know your stuff!

Discussion: This poem would be appropriate for adult learners at a low-intermediate level. The teacher however, must be careful to discover if it would be too easy for the students. These words may pose great difficulty to the students, however since most of the words are of high-frequency, the poem may be too easy for some intermediate levels.

To extend the activity, you might have the students pull out all the “ough” words and think of other rhymes. The teacher could also tailor this to the different pronunciations and different vocabulary items in the area; e.g., “Scarborough” or “plough” and various name in the British Isles. Finally, this poem includes only a handful of “ough” words; an assignment might be to find other, low-frequency words, and bring in pronunciations and definitions.

 


4. Heather Caylor

An Original Jazz Chant/Poem

I drove my car to town today,
I took it to the store.
And at the store I bought some food;
I threw it on the floor
because I saw a man outside.
“Hey! He just stole my car!
Uh-oh. He left the tires behind.
I guess he won’t get far.”

This chant is meant to introduce students to some of the common irregular past tense verb forms. Ideally, this chant would be used with intermediate level students already familiar with some less complex grammatical structures (ie present tense conjugation, pronouns, etc). Students of any age level could potentially use this chant, although it might be helpful for identification purposes (namely the students being able to identify with the ideas in the chant) if they were old enough to know something about transporting themselves from place to place. In addition to the usage of irregular past verb forms, this chant also includes a couple common expletives (“Hey!” and “uh-oh.”), the expression “he won’t get far,” and also, I hope, some humor, which might help increase class comfort.

 


5. Maria N. Fruit

Story-telling: Incorporating Literature in the ESL Classroom

• Exercise:

  1. Reading
  2. Deconstructing:
    1. What adjectives does the author use to describe an empty calorie? A full calorie?
    2. What specific examples does the author give of a full calorie?
    3. Other than food, there else do we find empty calories and full calories?
  3. Writing: students create a description of a full/empty calorie together or individually
  4. Presenting: Students read their descriptions aloud.

• Course: Writing
• Age/Proficiency level: Adults/Advanced
• Goals: Students use language for discussion, brainstorming, and communication, both spoken and written.

  1. to improve pronunciation through reading
  2. to improve vocabulary
  3. to practice writing skills:
    1. balance of short and long sentences
    2. present tense versus past tense usage
    3. use of the five senses
  4. to teach detailed description writing as a story-telling process
  5. to enhance oral communication skills
  6. to aid in creating a comfortable classroom atmosphere
  7. to encourage students to write about their culture and lives

“A Taste of Life”
Jerome Stern, Radios; Short Takes on Life and Culture (1997, New York: Norton)

 


6. Anna Schlumbohm

A Bad Start

What time is it? Is it morning already?
My class! I’m going to be late!

Where are my glasses? Where are my shoes?
I’ll miss the bus at this rate!

Why didn’t my alarm ring? Will my teacher be angry?
I’m getting off to a bad start.

When does the bus leave? Do I have time for breakfast?
Hey! Who ate the last pop tart???

How could I oversleep again?
Is there homework due today?

Wait, what does the calendar say?
Oh…it’s Saturday.

This chant is intended for university students at a mid to low intermediate level. The main focus of the chant is to practice asking questions, mainly using the question words (who, what, where, when, why, how) of English, and the auxiliary question words (do, will, can).

Some expressions to talk about before reading the poem:

Oversleep, at this rate, and pop tart

Grammar questions for the students after reading the poem:

  1. What are the different tenses used in the chant? (make reference to the use of “going to” versus “will” for future tense)
  2. List all of the question words used

Content questions:

  1. Who is the narrator?
  2. What is this person late for?
  3. Why is this person late?

The students can use this poem to facilitate a discussion about times when they were late or overslept, how they felt, what the consequences were, etc. Also, the teacher can touch on things like panic, irony, the double meaning of the title, and maybe even the cultural icon of the pop tart.

Also, for a follow up exercise, have the students write out their own questions using each of the question words they saw in the poem.


7. Eileen Cannon

This song is intended for beginning students, or possibly higher level students if they are in a pronunciation class. It can be used at the beginning or end of a unit focusing on fourteen English vowel sounds: /I/, /i/, /U/, /u/, /æ/. /e/. /?/ (monophthongs), and /aI/, /au/, eI/, /ou/, (diphthongs). Verses can be chosen based on students’ specific needs and/or their first language, which might necessitate practice on some vowel contrasts more than others. The verses do not fit together as a coherent story, so they can be reordered or used in isolation.

The theme of Verse One is “A bad day,” Verse Two focuses on talking about food and personal eating preferences. Verse Three describes a travel problem, and Verses Four and Five are about shopping. Each verse features a particular vowel contrast to practice, with the first line having several instances of, for example, /æ/, and the second line having several instances of /e/ (Verse One). The underlined words contain the featured sound.

One advantage of this model is that students can see the various spellings that may correspond to one or more English vowel sounds. The vocabulary that would have to be taught includes “with ease,” “(to be) a breeze,” “Twix” (brand name), “monophthong,” and “diphthong.” Note that not all vowel sounds are featured in the song, but other verses could be added as needed. This activity can be used with adult students or with children.

To the tune of America the Beautiful:

Verse One I had a black hat, had a fat cat, Hats and cats don’t last.
Æ – e I went to bed to rest my head, and better I felt then.

CHORUS Nine monophthongs! And five diphthongs! I’ll learn theses vowels with ease, And make my English excellent. These vowel sounds are a breeze.

Verse Two I don’t eat beef, or any meat. I eat beans, peas, and cheese.
i-I Potato chips, and dips, and Twix, (pause) even with chopsticks.

Verse Three Today is gray, a rainy day. They say my train is late.
Ei-ai (I could) ride my bike, or drive, or hike, or hide inside a kite.

Verse Four A shop for clocks does not sell socks, or bottles, pots or mops.
a - ? I thought the mall sold small footballs. (I bought) all the balls I saw.

Verse Five (Pause) Shoes and boots, and cute swimsuits. Do you have music, too?
U – u I took a look at wood and wool. The doors said push and pull.



8. Michael Bortscheller

"The Hills of West Virginia" by Phil Ochs.

This song could be useful for intermediate students learning when actions occur relative to one another in the past. It would also be helpful for advanced students who are reviewing the concept. Another potentially helpful song is Changes also by Phil Ochs, which includes uses of the present and future tenses.




9. Todd Eichmann

Drama (Soap Opera)
For Advanced students
Purpose- to reinforce verb conjugations and phrase structure.

I decided to make a dramatic soap opera dialogue because I believe students tend to remember concepts and patterns better if they occur in a humorous environment. This dialogue is not meant to reflect natural dialogue, but most of the conversation is very similar to real spoken English. It is hoped that the students will be able to transfer these phrases with the correct verb forms to other conversational settings.
Application- The teacher prepares a dialogue similar to this one, and reads it a few times to the class, having them repeat each line. Then the teacher splits the students into pairs and has them practice the lines, switching roles each time. After everyone has had a good amount of time to practice both roles, the teacher asks for two volunteers to present the dialogue in front of class. The goal for this is that only confident students will probably volunteer, and the less confident ones can watch how two people would speak the lines well and comfortably. Since everyone in the class would be familiar with the dialogue by now, they will benefit from seeing other peoples’ interpretations of pronunciation, intonation, etc. After there are no more volunteers, students start writing individual dramas that can be a continuation of this one, or an original. If there is not enough time in class, they will finish the dialogues for homework, and bring them to present next time with their classmates.

Dialogue
Scene: Takes place in a dimly-lit bar, where Lance (the tall, dark, and handsome man) meets up with his girlfriend Molly (the pretty blonde woman).
-Molly: Hey, what happened to you last night?
-Lance: What do you mean?
-Molly: After I went to bed. You left again with Stacey, Brake, and their friends, right?
-Lance: Oh, yeah. We came here, actually.
-Molly: Cool. Did you meet up with anyone else?
(Before Lance can answer, a tall, brown-haired woman walks by, hands Lance a wallet, and leaves the bar).
-Molly: (Confused) Who was that? And why did she have your wallet?
-Lance: (Nervous) Uh..
-Molly: What did you do last night, Lance?!
-Lance: It was only a kiss, Molly! I must have left my wallet there and…
-Molly: (Interrupts furiously) And you had to pay her for one kiss?
-Lance: No! I must have left my wallet there by accident!
-Molly: Accident? I’ll tell you about accidents! (Molly slaps Lance in the face). My biggest accident was dating you!
-Lance: Molly, I swear it was nothing! And what about our baby? (Lance points to Molly’s stomach).
-Molly: (Raises her voice) The baby is Drake’s anyway!
-Lance: (Gasps) How could you do that to me?
-Molly: (Crying) I’m never talking to you again! (Molly runs out of the bar).



10. Megan Allen

How did you get to school today?
How did you get to school?
Did you ride your bike
Or take the bus
Or did you just carpool?

I took the bus today, did you?
Did you take the bus today?
I took the Oakcrest rout
And I was late to class
But my teacher said it was okay.

This jazz chant would be appropriate for high beginner students; it makes use of content questions and irregular past tense verbs. While it could be used to introduce either of those grammar points, it would probably be better used after the students are familiar with them. This chant is most appropriate for university students, because of the specific forms of transportation used. It could easily be altered for use with younger students, or non-student adults.

This chant could be used to introduce or review transportation grammar, and it could also facilitate conversation about what to do when you’re late to class. It could also lead to a student created dialogues about discussing tardiness with a teacher.



11. Maria Lopez Alfonso

The topic of this class is the construction of the imperative in English and the different pronouns in English, especially possessive and object pronouns. This class is meant for low level students. In the first place, the instructor should play the song. After that, the instructor will hand out the lyrics of the song, in the way that it is showed here. The instructor will read through the song and ask the students for words that they do not understand. After clearing every doubt, the instructor will play the song again, but this time the students need to fill in the blanks with the words they hear. The instructor should play the song at least two times, to make sure that the students have time to record the information. After this, the class will discuss the words that go in every blank. This would be the moment to talk about the imperative and also to talk about the pronouns. I would suggest writing on the board a list of the possessive pronouns and a list of the object pronouns, to clarify any doubts. The end of the class will be playing the song again, now that the students have the lyrics complete, and it would be good if the students join and sing the song, which would help them with their pronunciation.

MR. SANDMAN, BRING ME A DREAM

Mr. Sandman, a dream (Bring me)
The cutest that I’ve ever seen (Make him)
Two lips like roses and clover (Give me)
Then that lonesome nights are over. (Tell him, his)
Sandman, I’m so alone
Don’t have nobody to call own (My)
Please magic beam ( Turn on your)
Mr. Sandman, a dream. (Bring me)

Mr. Sandman, a dream. (Bring me)
The cutest that I’ve ever seen (Make him)
The word that I’m not a rover (Give him)
Then that lonesome nights are over. (Tell him, his)
Sandman, I’m so alone

Don’t have nobody to call own (My)
Please magic beam ( Turn on your)
Mr. Sandman, a dream. (Bring me)
Mr. Sandman, a dream (Bring us)
A pair of eyes with a come-hither gleam (Give him)
A lonely heart like Pagliacci (Give him)
And lots of wavy hair like Liberace
Mr. Sandman, someone to hold
Would be so peachy before we’re too old
So please magic beam (Turn on your)
Mr. Sandman, , please, please, please (Bring us)
Mr. Sandman, a dream (Bring us)

 


12. Tonya Mutel

Drama in class
Level: intermediate to advanced.
Materials: poems that have a strong central idea.
Objectives: goals may vary from prosaic to elevated, depending on what you want to focus on: to teach/reinforce particular grammar structures/new vocabulary from the previous reading, to teach the students to find a central idea and develop it, to develop a feeling for the rhythm of the language, to have fun for a change, etc. You might choose to employ “When I am an old woman…” and “Without you”, which are listed below, to reinforce the use of the future tense and/or conditional mood: without you I shall/will/would…./ When I am an old (wo)man, I shall/will etc.

Preparation:
The teacher divided the class into small groups. Then two poems are read aloud to the class. One half of the groups is asked to work on one poem (When I am an old woman(man)….), the other half- on the other (Without you), each group is supposed to work independently.

Task: each group create three or four lines of their own, developing the idea of the poem (the students can imitate the style of the poem or they can be asked to use a particular structure, etc.). The purpose of the exercise doesn’t have to be to produce a paraphrased variant of the poem, but to relate to the central idea.

Work in groups:

After working out the lines, the group discusses the ideas its members have produced, then the best lines are selected to create a new poem. Each group gets to have a poem of its own. The poems are read aloud after they are ready.

Also, the teacher can ask the groups to write their poems down, then cut them (poems) into separate lines and mix the strips of paper. Then, each group (bigger groups can be formed) is offered to draw out the same number of the strips. The students can be asked to write a new poem from what they have, sorting out and adding lines, or develop the opposite idea, etc.

Examples of poems:

  • "Warning" by Jenny Joseph
  • "Love is…"
  • "Without You" by Adrian Henri